Showing posts with label sso. Show all posts
Showing posts with label sso. Show all posts
Wednesday, May 9, 2012
MORE ASM
I missed this interview (against fabulous rehearsal footage) at the time of the considerable buzz around Anne-Sophie Mutter's visit to Sydney. You will see here how close she stands to the conductor, sometimes too close!
With enormous charm and naturalness she speaks about the Beethoven Violin Concerto, Herbert von Karajan, the early years, the humility of honesty and self-awareness, and serving the music, the art and then nails it talking about 'the loss of musical innocence'. It is a great interview, really.
Labels:
anne-sophie mutter,
ashkenazy,
beethoven,
sso,
von Karajan
Wednesday, November 12, 2008
SSO SHAKE UP
Who would have guessed? Well, anyone who tried to make sense of next year's programming, like Marcellous did, or someone who has rung them recently, about anything, and didn't have half a day to spare.
From today's Crikey:
"Arts insider Dita Hunter writes:
All has not been sweetness and light for some time at the Sydney Symphony. Midyear the orchestra lost one of its key executives, Wolfgang Fink, the latest in a long list of thirty plus staff to have walked through the reign of General Manager Libby Christie.
Unable to hack Christie’s Ruddian micromanagement style, Fink, whose international contacts and experience have been one of the orchestra’s strengths and the reason some staff have hung in so long, quit to run the Bamberg Symphony, one of Germany’s best orchestras.
Other exits stage left are said to have included the Marketing Director, the Marketing Manager, the Customer Relationship Manager, the Online Manager, the Data Base Analyst, the Director of Commercial Programming, the Operations Manager and the Finance Director.
Now Christie has gone too.
The memo below shows that even the mild-mannered SSO chair John Conde and his board have had enough:
TO: All Staff
FROM: John Conde DATE: 11 November 2008.
The Managing Director, Libby Christie, has advised the Board that she will not be renewing her contract with the Sydney Symphony when her present term concludes in June 2009.
There is no immediate impact from this decision. Libby has made a significant contribution to the Orchestra and the advance notice is appreciated by the Board as it allows time for a thorough search and selection process for a new chief executive. In the meantime it is business as usual.
The Sydney Symphony is in very good shape and positioned well to cope with the inevitable stresses and strains that the present economic climate will bring. We now have in place a very strong senior executive team and I am sure we will manage well a change at the top without any disruption to the forward momentum of the Orchestra.
Libby has been Managing Director for six years, during which time the Orchestra has grown in strength, stature and financial performance. Under her leadership, the Orchestra has seen substantial change, emerging with a strong operational and business structure following our divestment from the ABC. Libby has also, in this time, overseen the appointment of our new Principal Conductor and planning for the early years of Mr Ashkenazy’s time with us.
I shall keep you informed throughout the coming months and look forward to your support.
John C. Conde, ao
Chairman
Christie, daughter of former Commonwealth Bank boss Vern Christie, had a background in business -- Telstra, Optus and Monster.com Asia Pacific -- so perhaps classical music was just not her forte. However that didn’t stop her from running a red pencil through important repertoire and substituting it with crowd-pleasing pap.
And there was worse: despite mounting subscriber dissatisfaction with the quality of his conducting and his choice of soloists, Christie refused to pay out the deeply unpopular previous Principal Conductor, Gianluigi Gelmetti.
Instead she rubber stamped his recent meaningless vanity tour of Italy, which chewed up over a million dollars of the orchestra’s reserves, did bugger all for the orchestra’s reputation and even less for her standing with musicians. But the arrival of renowned and highly respected Vladimir Ashkenazy has boosted morale and audience confidence. The orchestra now has a future instead of a dismal past few year."
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